Of that colossal Wreck, boundless and bare Look on my Works, ye Mighty, and despair! The hand that mocked them, and the heart that fed Which yet survive, stamped on these lifeless things, Tell that its sculptor well those passions read
Half sunk a shattered visage lies, whose frown,Īnd wrinkled lip, and sneer of cold command, Who said-“Two vast and trunkless legs of stone The in-depth message and intellect in this poem are to be lauded beyond words, for Shelley has conveyed it so efficiently through his work. Written as a sonnet, a short poem of fourteen lines in the form of an octave and a sestet, the poem has a distinct rhyme scheme that adds to the overall reading experience. It talks about the temporary nature of things in this world that one considers most important – fame, wealth, and power, against tougher forces. It is said that the poem is based on the king, and Ozymandias eventually became one of Shelley’s most famous works in the Romantic era. Here, let’s see the Main Theme of the Poem Ozymandias. Ozymandias was the Greek name for the ancient Egyptian pharaoh Ramesses II (or Ramses II), who ruled major parts of Egypt for 66 years and was celebrated as Ramesses the Great for years later. Image: Ozymandias by alexzakil, on deviantart (Creative Commons).Ozymandias is a poem written by the renowned English poet Percy Bysshe Shelley, popularly known as P. He is the author of, among others, The Secret Library: A Book-Lovers’ Journey Through Curiosities of History and The Great War, The Waste Land and the Modernist Long Poem. The author of this article, Dr Oliver Tearle, is a literary critic and lecturer in English at Loughborough University.
You can listen to a reading of ‘Ozymandias’, complete with an animated video, here.įor more close analysis of Romantic poetry, check out our analysis of Keats’s ‘On First Looking into Chapman’s Homer’ and Wordsworth’s classic daffodils poem. In the last analysis, Shelley’s ‘Ozymandias’ is a fine reminder that everything – even mighty empires – is doomed to fall to dust. Ozymandias’ empire may have gone, but the poem written in his name has endured. Not up to Shelley’s standard, perhaps – but not a bad effort. He meets some fragment huge, and stops to guess Where London stood, holding the Wolf in chace, Wonder like ours, when thro’ the wilderness ‘The wonders of my hand.’- The City’s gone,. ‘The King of Kings this mighty City shows ‘I am great OZYMANDIAS,’ saith the stone, Stands a gigantic Leg, which far off throws Smith’s poem doesn’t repay the same close analysis as Shelley’s ‘Ozymandias’, but it’s worth a read: Smith originally titled his poem ‘Ozymandias’, the same as Shelley’s, though he subsequently renamed it ‘On A Stupendous Leg of Granite, Discovered Standing by Itself in the Deserts of Egypt, with the Inscription Inserted Below’ – which is rather less catchy or memorable as titles go. (Smith’s effort was published in the same magazine a month after Shelley’s.) ‘Ozymandias’ is rightly celebrated and often anthologised and analysed, but what is less well-known is that Shelley wrote the poem in competition with his friend, Horace Smith. Shelley’s poem rhymes ababacdcedefef. The rhyme of ‘appear’ with ‘despair’ is a masterstroke: ‘despair’ also chimes with ‘appear’ by summoning that verb’s ghostly opposite, ‘disappear’ – exactly what has happened to Ozymandias’ vast empire, and decidedly apt given that ‘disappear’ itself doesn’t actually appear in the poem. In terms of its form, the poem is innovative and worthy of closer analysis: its fourteen lines and iambic metre mark it out as a sonnet, but its rhyme scheme is different from the traditional English or Italian sonnet. Shelley had no time for gods, or God, either: indeed, he had been expelled from the University of Oxford for writing a pamphlet titled The Necessity of Atheism, which shows how radical such a belief (or rather lack of belief) was held to be in early nineteenth-century Britain. The phrase ‘King of Kings’ is associated with the Christian God, or more specifically with Jesus Christ: in the New Testament, the phrase is used in reference to Christ in the First Epistle to Timothy (6:15) and the Book of Revelation (twice – see 17:14, 19:11–16). Or perhaps for ‘King of Kings’ we should think not a God-anointed king but God himself (as Egyptian pharaohs like Rameses II were thought to be gods on earth).
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